Here's the list for the second half of the lecture sessions. Feel free to e-mail and correct me if I posted something wrong. I sometimes change my mind when giving the assignments from what I put in my syllabus. Please review the assignments from this, as well as the previous recap post, before the exam.
Lecture 5:
No assigned listening
Lecture 6: Minimalism, Process and Technology
Alvin Lucier: I am sitting in a room
Lecture 7: Minimalism and the symphony orchestra: A survey
John Adams: Harmonielehre, mvt. 1, Harmonium, mvt. 3, Common Tones in Simple Time, Steve Reich, The Four Sections, Philip Glass, Violin Concerto, mvt. 1
Recommended: Steve Reich, The Desert Music, mvt. 1
Lecture 8: Morton Feldman and Musical Time
Feldman: Coptic Light, Triadic Memories, Rothko Chapel
Lecture 9: Postminimalism & Totalism
William Duckworth: Time Curve Preludes nos. 1-12
John Luther Adams: In the White Silence (complete!)
That's about it. Good preparation to all!
-Matt
Sunday, April 25, 2010
Tuesday, March 30, 2010
Schedule change
Due to a scheduling conflict, guest speaker Juhani Nuorvala will be unable to give his lecture on club music as planned on April 16th. We'll replace it with the following week's topic instead, post-minimalism and totalism, and Juhani will speak on April 23rd in the final lecture session before the exam. Listening recaps from the previous lectures will be posted before the Easter holiday. Enjoy your break!
Friday, March 5, 2010
Listening recap
Here's a list of the main listening we've done in past classes, as well as the material I assigned as preparation. I recommend going over all the assigned listening. The recommended listening won't be on the final, but I highly recommend doing it as a way of increasing your familiarity with the composer's style, as you will be required to play guess-the-composer to a certain degree.
Lecture 1: Historical precedents and oddities, non-Western influences
No required listening, but here's some of what we listened to in class:
Wagner: Prelude to "Das Rheingold"
Debussy: "Pagodes" from "Estampes"
Chávez: Sinfonia India
Britten: Young Apollo (opening), "The Pagodas" from "Prince of the Pagodas"
Satie: "Vexations", "Trois Gymnopédies", "Musique d'ameublement" ("Furniture Music")
McPhee: "Balinese Ceremonial Music", "Tabuh-Tabuhan"
Under non-Western influences, we covered gamelan and gagaku, of which several audio examples are available in the library.
In jazz, we listened to John Coltrane's "My Favorite Things".
Under the topic of the pop/classical divide:
Sufjan Stevens: "Out of Egypt"
Galen Brown: "Pulse Point"
Nico Muhly: "A Hudson Cycle"
Lecture 2: La Monte Young
Required: "The Well-Tuned Piano"
Recommended: "On remembering a Naiad"
Lecture 3: Terry Riley
Required: "In C"
Recommended: "A Rainbow In Curved Air", "The Harp of New Albion"
Lecture 4: Steve Reich
Required, "Come Out", "Piano Phase", "Drumming" (Part 1), "Music for 18 Musicians" (complete)
Recommended: "Drumming" (Part II-IV), "Tehillim", "Music for Mallet Instruments, Voices and Organ", "Violin Phase"
Lecture 5: Philip Glass
Required: "Einstein on the Beach" ("Bed" & "Spaceship" scenes), "Music in Twelve Parts" (Parts I-II), "Contrary Motion", "Akhnaten" (Prelude)
Recommended: "Two Pages", "Music in Similar Motion", "Music in Fifths", "Music with Changing Parts"
Also check out this recent article on Charlemagne Palestine, whom we discussed a bit last week. He'll come up again. I have recordings of many of the pieces mentioned here, which I can make available.
Lecture 1: Historical precedents and oddities, non-Western influences
No required listening, but here's some of what we listened to in class:
Wagner: Prelude to "Das Rheingold"
Debussy: "Pagodes" from "Estampes"
Chávez: Sinfonia India
Britten: Young Apollo (opening), "The Pagodas" from "Prince of the Pagodas"
Satie: "Vexations", "Trois Gymnopédies", "Musique d'ameublement" ("Furniture Music")
McPhee: "Balinese Ceremonial Music", "Tabuh-Tabuhan"
Under non-Western influences, we covered gamelan and gagaku, of which several audio examples are available in the library.
In jazz, we listened to John Coltrane's "My Favorite Things".
Under the topic of the pop/classical divide:
Sufjan Stevens: "Out of Egypt"
Galen Brown: "Pulse Point"
Nico Muhly: "A Hudson Cycle"
Lecture 2: La Monte Young
Required: "The Well-Tuned Piano"
Recommended: "On remembering a Naiad"
Lecture 3: Terry Riley
Required: "In C"
Recommended: "A Rainbow In Curved Air", "The Harp of New Albion"
Lecture 4: Steve Reich
Required, "Come Out", "Piano Phase", "Drumming" (Part 1), "Music for 18 Musicians" (complete)
Recommended: "Drumming" (Part II-IV), "Tehillim", "Music for Mallet Instruments, Voices and Organ", "Violin Phase"
Lecture 5: Philip Glass
Required: "Einstein on the Beach" ("Bed" & "Spaceship" scenes), "Music in Twelve Parts" (Parts I-II), "Contrary Motion", "Akhnaten" (Prelude)
Recommended: "Two Pages", "Music in Similar Motion", "Music in Fifths", "Music with Changing Parts"
Also check out this recent article on Charlemagne Palestine, whom we discussed a bit last week. He'll come up again. I have recordings of many of the pieces mentioned here, which I can make available.
Wednesday, January 13, 2010
Welcome!
Welcome students of this semester's minimalism course. This blog will serve as your reference point and gateway throughout the semester. Weekly listening lists will be posted here, as well as course updates, schedules and anything else I think you'd find interesting. The links sections at the right side of the page will grow as the class progresses, so please check in regularly for updates. There are already a few places to start. I recommend the Crash Course link under Audio & Video.
Use the comments section for general questions about the class and assignments, I'll answer as soon as I can.
-Matt
Use the comments section for general questions about the class and assignments, I'll answer as soon as I can.
-Matt
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